Zoom Livetrak L-20 digital mikser

Varenummer:
178117

LIVETRAK L-20 Større mikser - mer musikk LiveTrak™ L-20 er den nye digitale konsollen som tilbyr alt musikeren trenger for å mikse, lytte og gjøre opptak av komplekse produksjoner

kr 10 600,00 Før kr 11 895,00
Fjernlager (1-2 uker levering)

20 innganger for større lydbilde

Livetrak L-20 er designet for å mikse større lydproduksjoner. Den har 20 innganger (16 mono/line-inngagner og to stereo innganger) hvor alle har egen 3-bånds mid-parametrisk EQ. De 16 mono inngangene har egen kompressor.

22 spor med opptak

Du kan gjøre opptak av 20 kanaler smat en stereo miks direkte til et SD-kort. LiveTrak L-20 har en oppløsning opptil 24-bit/96 kHz, og med -128 dBu EIN med +60dB maksimum inngangsnivå er L-20 utstykket med de ZOOMs stilleste og mest avanserte forforsterker. Miks ned den ferdige sangen på L-20 eller overfør sporene til en DAW for senere perfeksjonering. * Effekter, EQ, overdub, lydkort, og fader modus A-F er ikke tilgjengelig i 96 kHz.

Lag seks egne monitormikser

Seks uavhengige monitorutganger for musikere, hver utgang kan ha sin egen miks med effekter, kan enkelt byttes mellom en kraftig hodetelefonutgang og til en balansert linjeutgang for scenemonitorer.

Og en for mikseposisjonen også

LiveTrak L-20 har i tillegg en dedikert sjuende utgang for FOH-teknikeren. Lydmannen kan monitorere hovedmiksen og hver enkelt submiks for å kunne justere de slik musikeren vil.

 

A Channel Strip
All 20 inputs include a channel fader as well as dedicated mute and solo buttons. The 16 mono inputs include single-knob compression and gain control. Record or playback individual channels with the "Rec/Play" button.

 B EQ Control
The L-20 provides a smooth 3-band mid-parametric EQ and a variable frequency low-cut for each channel. Use the "Select" button to apply Channel Strip settings to the selected channel.

 C 2 EFX Sends
The L-20 offers 20 built-in effects with adjustable parameters. Choose from delay and reverb effects, then apply them to any channel using two dedicated EFX busses.

 D Broad Connectivity
The L-20’s combo inputs support XLR or ¼-inch connections. Channels 1-2 offer Hi-Z inputs for electric guitar or bass. Channels 17/18 and 19/20 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs.

 E Navigation and Display
The LiveTrak L-20’s bright, backlit LCD screen and encoder knob let you access an intuitive menu to create new projects, recall previous projects, and customize your recorder settings.

F Slate Mic and Metronome
Use the built-in slate mic to record comments or talk-back. Push the tempo button to program the metronome to your desired tempo.

G Transport Controls and Overdub Button
Transport controls include Record, Play/Pause, Stop, Fast Forward, and Rewind. The overdub button allows you to record additional tracks to your current project.

H Six Custom Monitor Mixes
The “Fader Mode” buttons allow you to design custom mixes for both the master and monitor outs. For each output, easily switch between a powerful headphone output and a balanced line output for stage monitors.

I Headphone Output for FOH
The L-20 includes a dedicated headphone output for front-of-house, enabling them to monitor any of the custom sub mixes as well as the master mix.

J Custom Scene Settings
Create and save up to nine different scenes to recall fader position, EQ settings, pan, mute, and more.



Big Beautiful Interface

Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.*   

*Apple Lightning to USB Camera Adapter required.


Wireless Mixing

The LiveTrak L-20 offers wireless control* via a free iOS mobile app "L-20 Control" featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls.

* Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.


What's in the Box

Included with the L-20

LiveTrak L-20
AD-19 AC Adapter
USB 2.0 Cable
Quick Guide
 

Optional Accessories

RKL-12 Rack Mount Adapter
BTA-1 Bluetooth Adapter
FS01 Momentary Footswitch

NUMBER OF INPUT AND OUTPUT CHANNELS 

Stereo (LINE): 2

Inputs: Mono (MIC/LINE): 16
Output: MASTER OUT: 1
MONITOR OUT: 6
PHONES : 1

INPUTS 1-8

Mono (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)

Input gain
PAD OFF: +16 – +60dB
PAD ON: - 10 – +34 dB
Hi-Z ON: +6 – +50 dB

Input impedance
XLR: 3 k O
TRS: 10 k O /1 M O (when Hi-Z ON)

Maximum input level
PAD OFF: 0 dBu (at 0 dBFS)
PAD ON: +26 dBu (at 0 dBFS)

Phantom power
+48 V
Stereo (LINE): Type: TS phone/RCA pin (unbalanced) jacks
Maximum input level : +10 dBu

OUTPUTS

MASTER OUT: Type: XLR jacks (balanced)
Maximum output level :+14.5 dBu
Output impedance: 100 O
MONITOR OUT A–F (with balanced output) connected to monitor speakers: Type: TRS phone jacks (balanced)
Maximum output level: +14.5 dBu
Output impedance: 100 O
MONITOR OUT A– F (with unbalanced output) connected to headphones: Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 O
Output impedance: 100 O
PHONES: Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 O
Output impedance: 100 O

BUSES

MASTER: 1
MONITOR: 6
SEND EFX: 2

CHANNEL STRIP

COMP:  
LOW CUT: 40–600 Hz, 12dB/OCT
EQ: HIGH: 10 kHz, ± 15 dB, shelving
MID: 100 Hz – 8 kHz, ± 15 dB, peaking
LOW: 100 Hz, ± 15 dB, shelving
PHASE:

LEVEL METERS

Level segments: 12

SEND EFFECTS

Effects: 20 types:

EFX 1
Hall 1 (Reverb)
Hall 2 (Reverb)
Room 1 (Reverb)
Plate (Reverb)
Church (Reverb)
DrumAmb (Reverb)
GateRev (Reverb)
Vocal 1 (Delay + Hall Reverb)
Vocal 2 (Delay + Mono Reverb)
Vocal 3 (Delay + Plate Reverb)

EFX 2
Hall 3 (Reverb)
Room 2 (Reverb)
Spring (Reverb)
Delay (Delay)
Analog (Delay)
P-P Dly (Delay)
Vocal 4 (Delay + Room Reverb)
Chorus 1 (Stereo Chorus)
Chorus 2 (Mono Chorus)
Cho+Dly (Chorus + Delay)

RECORDER

Maximum simultaneous recording tracks: 22 at 44.1/48/96 kHz
Maximum simultaneous playback tracks: 20
Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo
Recording media: 4 GB – 32 GB SDHC cards (Class 10 or higher)
64 GB – 512 GB SDXC cards (Class 10 or higher)

AUDIO INTERFACE

44.1/48 kHz: Recording: 22 channels
Playback: 4 channels
Bit depth: 24-bit
Interface: USB 2.0

SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE

Windows: OS: Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit)
CPU: Intel® Core i3 or faster*
USB: USB 3.0/USB 2.0**

* Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD.
** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards.
Mac: OS: Mac® OS X 10.11 / 10.12 / 10.13
CPU: Intel® Core i3 or faster
USB: USB 3.0/USB 2.0*

* Operation is not guaranteed when used with USB hubs or expansion cards.
iPhone/iPad: OS: iOS 9 / 10 / 11

* Apple Lightning-to-USB Camera Adapter required.

CARD READER

Class: Class

USB HOST

Class: USB 2.0 High Speed
   
Sampling frequency: 44.1/48/96 kHz
Frequency characteristics: 44.1 kHz: -1.0 dB, 20 Hz – 20 kHz
96 kHz: -3.0 dB, 20 Hz – 40 kHz
Equivalent input noise: Actual measurements: -128dB EIN (IHF-A) at +60dB/150O input
Display: LCD with backlight (128×64 resolution)
Power: AD-19 AC adapter (DC12V 2A)
Power consumption: 24 W maximum
External dimensions: 445 mm (W) × 388.4 mm (D) × 82.6 mm (H)
Weight (main unit only): 3.71 kg