LIVETRAK L-20 Større mikser - mer musikk LiveTrak™ L-20 er den nye digitale konsollen som tilbyr alt musikeren trenger for å mikse, lytte og gjøre opptak av komplekse produksjoner
20 innganger for større lydbilde
Livetrak L-20 er designet for å mikse større lydproduksjoner. Den har 20 innganger (16 mono/line-inngagner og to stereo innganger) hvor alle har egen 3-bånds mid-parametrisk EQ. De 16 mono inngangene har egen kompressor.
22 spor med opptak
Du kan gjøre opptak av 20 kanaler smat en stereo miks direkte til et SD-kort. LiveTrak L-20 har en oppløsning opptil 24-bit/96 kHz, og med -128 dBu EIN med +60dB maksimum inngangsnivå er L-20 utstykket med de ZOOMs stilleste og mest avanserte forforsterker. Miks ned den ferdige sangen på L-20 eller overfør sporene til en DAW for senere perfeksjonering. * Effekter, EQ, overdub, lydkort, og fader modus A-F er ikke tilgjengelig i 96 kHz.
Lag seks egne monitormikser
Seks uavhengige monitorutganger for musikere, hver utgang kan ha sin egen miks med effekter, kan enkelt byttes mellom en kraftig hodetelefonutgang og til en balansert linjeutgang for scenemonitorer.
Og en for mikseposisjonen også
LiveTrak L-20 har i tillegg en dedikert sjuende utgang for FOH-teknikeren. Lydmannen kan monitorere hovedmiksen og hver enkelt submiks for å kunne justere de slik musikeren vil.
A Channel Strip |
Big Beautiful Interface
Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.*
*Apple Lightning to USB Camera Adapter required.
Wireless Mixing
The LiveTrak L-20 offers wireless control* via a free iOS mobile app "L-20 Control" featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls.
* Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.
What's in the BoxIncluded with the L-20LiveTrak L-20 AD-19 AC Adapter USB 2.0 Cable Quick Guide Optional Accessories RKL-12 Rack Mount Adapter BTA-1 Bluetooth Adapter FS01 Momentary Footswitch |
NUMBER OF INPUT AND OUTPUT CHANNELS
Stereo (LINE): 2
Inputs: | Mono (MIC/LINE): 16 |
Output: | MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1 |
INPUTS 1-8
Mono (MIC/LINE): | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain PAD OFF: +16 – +60dB PAD ON: - 10 – +34 dB Hi-Z ON: +6 – +50 dB Input impedance XLR: 3 k O TRS: 10 k O /1 M O (when Hi-Z ON) Maximum input level PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS) Phantom power +48 V |
Stereo (LINE): | Type: TS phone/RCA pin (unbalanced) jacks Maximum input level : +10 dBu |
OUTPUTS
MASTER OUT: | Type: XLR jacks (balanced) Maximum output level :+14.5 dBu Output impedance: 100 O |
MONITOR OUT A–F (with balanced output) connected to monitor speakers: | Type: TRS phone jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 O |
MONITOR OUT A– F (with unbalanced output) connected to headphones: | Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 O Output impedance: 100 O |
PHONES: | Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 O Output impedance: 100 O |
BUSES
MASTER: | 1 |
MONITOR: | 6 |
SEND EFX: | 2 |
CHANNEL STRIP
COMP: | |
LOW CUT: | 40–600 Hz, 12dB/OCT |
EQ: | HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz – 8 kHz, ± 15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving |
PHASE: |
LEVEL METERS
Level segments: | 12 |
SEND EFFECTS
Effects: | 20 types: EFX 1 Hall 1 (Reverb) Hall 2 (Reverb) Room 1 (Reverb) Plate (Reverb) Church (Reverb) DrumAmb (Reverb) GateRev (Reverb) Vocal 1 (Delay + Hall Reverb) Vocal 2 (Delay + Mono Reverb) Vocal 3 (Delay + Plate Reverb) EFX 2 Hall 3 (Reverb) Room 2 (Reverb) Spring (Reverb) Delay (Delay) Analog (Delay) P-P Dly (Delay) Vocal 4 (Delay + Room Reverb) Chorus 1 (Stereo Chorus) Chorus 2 (Mono Chorus) Cho+Dly (Chorus + Delay) |
RECORDER
Maximum simultaneous recording tracks: | 22 at 44.1/48/96 kHz |
Maximum simultaneous playback tracks: | 20 |
Recording format: | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo |
Recording media: | 4 GB – 32 GB SDHC cards (Class 10 or higher) 64 GB – 512 GB SDXC cards (Class 10 or higher) |
AUDIO INTERFACE
44.1/48 kHz: | Recording: 22 channels Playback: 4 channels |
Bit depth: | 24-bit |
Interface: | USB 2.0 |
SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE
Windows: | OS: Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. |
Mac: | OS: Mac® OS X 10.11 / 10.12 / 10.13 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. |
iPhone/iPad: | OS: iOS 9 / 10 / 11 * Apple Lightning-to-USB Camera Adapter required. |
CARD READER
Class: | Class |
USB HOST
Class: | USB 2.0 High Speed |
Sampling frequency: | 44.1/48/96 kHz |
Frequency characteristics: | 44.1 kHz: -1.0 dB, 20 Hz – 20 kHz 96 kHz: -3.0 dB, 20 Hz – 40 kHz |
Equivalent input noise: | Actual measurements: -128dB EIN (IHF-A) at +60dB/150O input |
Display: | LCD with backlight (128×64 resolution) |
Power: | AD-19 AC adapter (DC12V 2A) |
Power consumption: | 24 W maximum |
External dimensions: | 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) |
Weight (main unit only): | 3.71 kg |